Monday, 23 July 2018

Cats and Dogshit.

When I turned 40, I decided that I didn’t want to be a smiley, cheery stand-up on stage anymore. I wanted to be miserable, because that’s who I am.

Doing those miserable Edinburgh shows made me happier than I’ve ever been in comedy. They’re basically therapy for whatever it is that’s missing in my life and for whatever it is in life that I’ve done wrong. But when I turned 30, all I wanted to be was a stand-up comedian. I didn’t realise you could just be yourself, I thought you had to be likeable. I’m not likeable but I gave it a really good go. Pretty much my first ever bit of compering warm up that I ever came up with was getting the audience to shout out the names of rubbish bands from the 80’s with the promise that the person who named the worst band would win dinner for two anywhere in the UK. “Bros!”, they would shout. “A Flock of Seagulls!” On and on it would go with everyone having a fun time (except me) until someone said Rick Ashley and I handed them two Pot Noodles.

Mind you, it was better than my previous job. An office job that I hated, but it was me that wanted the job so I applied for it even though I knew I’d hate it. I was 20 then.

Before that, I was working in a police station in Northern Ireland. Like all the jobs I’ve had, I really really wanted this one. I wanted it because I could walk there from home. I wanted it because it was a shit job that anyone could do and I wanted it even though I knew I’d hate it and I did. Every bit of it.

Before that, when I was 18, I worked in a morgue. Well, I sorted out their autopsy photos. I did that for a year. Why? Because I wanted to, even though I didn’t want to because no one could ever want to.

When I was 17, I got a job in a furniture shop because I’d just left school and I “knew” that if I didn’t get a job immediately that the entire world would explode before I’d seen real breasts. I got that job because I really wanted it and I did that job even though I hated it.

On Friday night, I did a gig at the West End Centre in Aldershot. They were holding a 3 day festival featuring comedy and live bands. Before my show, I went to see one of the bands. They’re called The Keep Cats. They played guitar based indie rock and they were utterly magnificent. They looked cool, they sounded cool, they are cool. In fact, they’re the only good and important thing on this planet. Nothing, and I mean nothing, makes you feel more like you’ve wasted your life more than watching 4 fifteen year old guys playing so incredibly well while the 50 or so audience members stand way back admiring them while one girl, and one girl only, is down the front jumping around like her life depends on it.

It is literally the most exciting thing on Earth.

The Keep Cats will be huge. They’ll play stadiums and perform to thousands and that will be OK. But it will never be as good as being in a band when you’re 15, playing great songs while one girl jumps up and down at the front. I do my stupid Edinburgh shows because they’re basically therapy for whatever it is that’s missing in my life and for whatever it is in life that I’ve done wrong. And this is what’s missing and that is what I did wrong. I forgot to be 15 and in a band. Even Barney’s, the promoter, introduction for the band was utterly fantastic. “They’re already sort of famous in Reading”, he said. “But I want to make them famous in Aldershot”.

Seriously. What is better than that?

I’ve bought The Keep Cats music on iTunes and they’re great. They’re now famous in one small part of Lewisham too. I’m a fan and I’m jealous as all hell of them. I was never hit as a child and now I’m a comedian so let that be a lesson to all parents. Hit your children. Hit them hard and often. Anytime they aren’t practising an instrument, take your belt off and thrash until they’ve written the next Lust For Life. Because when each and every one of us enters this world, we are musicians. Some of us forget and by the time we remember, it’s too late. Hit your children or they’ll end up in hell.

And I’ll see them there.






Tuesday, 1 May 2018

Popularity.


I’m a huge fan of the band Sparks. They had massive chart hits in the early 70’s with songs that were in no way obviously commercial. The tunes were there, clearly, but the complex arrangements, the witty and poetic lyrics and the falsetto vocals made them a challenge for some. And by some, I mean idiots. Plus, some people were put off by the keyboard player looking a bit like Hitler. But Sparks only got better as time went on and, as a result, became less popular. Of course, they’ve now been producing challenging, inventive pop music for so long and so often that everyone’s finally realised how great they’ve always been and now they’re really popular again. Sparks are two brothers aged 72 and 69 and they are pop stars.

And I’ve been thinking about them a lot recently. In 1974, they were at the top of the charts (well, near it) and rubbing shoulders with Donny Osmond, Olivia Newton John and Gary Glitter and they probably could have gone on like that forever, but they kept changing their musical style and getting better and, generally, people hate that. So, the records got better but the hits stopped. Then last year they had their first top 5 album in 40 years. Why? Because they did what they wanted, and they did it brilliantly, and it took the rest of the world that long to catch up.

I’ve been thinking about Sparks lately because, as always, I’ve been thinking about myself.
Where am I in all this? I do what I want and… well, do I have to wait until I’m 72 for the world to discover my genius or has the world already discovered that I’m shit?

It’s not like you can’t be true to your art in stand-up comedy AND be hugely successful. Look at Daniel Kitson. He sells out huge venues with almost no advertising, no TV presence, relying only on the fact that he’s probably the best stand-up comedian in the country. John Oliver is another good example. He used to do clever, informed satire in front of drunks in crappy, stinking comedy clubs in dismal UK towns a Megabus cry away from London. Now he does the same thing in front of the entire world on television. I’d say even Michael McIntyre is a good example too. He always wanted to connect with as many people as possible. Also, he's a great stand-up. He worked at it, stayed true to his aim and it paid off. Whereas I swear a lot and have a moderately successful podcast. But maybe people just haven’t caught up with how brilliant that is yet?

So, where am I? Where do I stand in the world of comedy? What has happened so far and what are the soaring highs and the still-falling lows? What have I achieved? What can I look back on? What is my moment? That moment where I was part of art and success? That moment where I was part of something that was going somewhere? What is the moment in my life where I felt a part of the comedy community, with art and success and me sitting together as closely as we’ll ever be?

I think I know when that moment was.

Many years ago, I was once on a bill at a very small comedy night in Soho. I remember it very well for two reasons. Firstly, the bill was Daniel Kitson, Michael McIntyre, John Oliver and me. Just think about that for a second. Secondly, the venue’s toilet was broken.

While John Oliver was on stage being brilliant, I decided to go to the toilet. I went downstairs to the gents and, as I entered, I saw Daniel Kitson walk out of the cubicle. “It’s broken”, he said. But I needed it, so in I went.

I locked the cubicle door and looked into the toilet bowl. There was shit in it. Daniel Kitson’s shit. The shit of the future greatest stand-up in the country. I tried flushing the toilet, but nothing happened. It was disgusting but, I had no choice. I had to shit on the shit of the future greatest stand-up in the country. Then Michael McIntyre walked into the gents for a pee. I knew it was him because he was talking and I recognised his voice. He was talking about me. He didn’t say anything that bad, but he definitely didn’t say anything that good. Something about how he was surprised that I was on the bill. Not that that bothered me. It’s hard to be hurt by criticism when you are shitting on another man’s shit.

Above me, I heard the voice of John Oliver coming through the venue’s PA system. He was doing a great routine but how it’s always funny “on the way here” if you’re a comedian. I laughed. And that made Michael McIntyre stop talking.

And that’s my moment. The closest I’ve ever come to success. The voice of the most respected satirist of our time above me, being bitched about by the most popular entertainer on TV at my side and, below me, the filth of the greatest stand-up comedian in the country.
When do I get to sing My Way?




www.twitter.com/michaellegge

Monday, 16 April 2018

A Michael Legge Joint.


“If I speak what is false, I must answer for it”.

Thomas Fuller said that. Seems obvious, I suppose. I think Thomas and I would have got on so it’s a shame we missed each other by just 300 years. He was pretty much my age when he died, he got very ill on my birthday, which I’ve done loads of times although he got ill on my birthday in 1660, and he often sounded a bit like me. “We are born crying, live complaining and die disappointed”. I mean, that’s pretty much every single thing I’ve ever said in one sentence.

And “If I speak what is false, I must answer for it” seems very prevalent right now. Everyone lies, and everyone knows everyone lies but they love the lies so much that they decide it’s now true. But that’s not why I’ve been thinking about my dead friend Thomas. I’ve been thinking about what he said because I often get words wrong. I say the completely wrong word by accident and it changes everything I want to say. Because, unlike Thomas, I’m a fucking idiot.

But, like Thomas, I am middle-aged and ill. YES! The dream double. I’m constantly exhausted, I’m constantly in agony and I have every disease known to man. Let’s list those diseases right now, Ladies…

I have asthma, arthritis, psoriasis, diphtheria, croup, whooping cough (had that for a while now), sickle cell anemia (don’t know how I got that, I think my body is a racist), the plague, smallpox, largepox, heart attack (I have a heart attack), dick flu and a bum full of strokes. I have every disease. But I soldier on bravely.

It’s rare anyone ever wants to talk about illness. It’s not like skateboarding or Garbage Pail Kids stickers or whatever is cool these days. But a week ago, my arthritis got so bad that I couldn’t move. At all. This is “normal”, said a doctor who thinks its normal to be a corpse who can feel pain. It’s just a “flare up”. This was such comfort to me as I lay in bed completely static and screaming my unmoving tits off.

Later that day, I was fine. It was just a “flare up” after all. I was right as rain. Nothing to worry about. But… you know… I wanted a bit of sympathy. Aren’t I at least allowed that? Just some acknowledgement of my bravery. I left the house and bumped into a neighbour who said, “How are you?”

A perfect chance! I can talk all about the pain of my ungodly arthritis and get all the sympathy and medals I want. Hooray!

Now, if only I was a bit more like Thomas Fuller. If only I didn’t get all my words mixed up all the time. If only I wasn’t a fucking idiot.

All you really need to know about what happened next is this: I got the words ARTHRITIS and DIARRHOEA mixed up. Jesus fucking Christ. “If I speak what is false, I must answer for it”.

“I’ve not been well actually”, I said with a brave face. “Diarrhoea”.

My neighbour screwed his face up in a disgusted, I-don’t-want-to-hear-about-that way.

“Yeah. It’s been really bad lately”, I said, like a hero. “Couldn’t get out of bed for hours”.
My neighbour looked sickened. He just looked appalled and sad and said “God…”

“Yeah. I’ve had it for years but only started getting treatment for it a few months ago. It’s been fine for months but today… Today was just awful”.

“You can’t have had it for years”, he said. That was very kind, I thought. Yes, I do hide it well but it’s true. I’ve actually had it since my late 20’s. My neighbour then just stared at me. This was great. Way better than I was expecting. He knows the agony I’ve been through, he knows how long I’ve lived with it and, yet, here I am standing in front of him with no visible trace of my illness and he just can’t find the words. This was exactly the sort of pick me up I needed. Yes, neighbour. You’re right. I am brave. Very brave indeed.

After more explaining of my bravery and the terrible affliction that has clearly not got the better of me, he finally spoke. “Jesus”, he said. “Christ almighty. What… what are they doing about it?”

“Nothing they can do about it really”, I told him. “You sort of just have to live with it”.

You live with it like a hero would. One day at a time. “I don’t think I could have avoided it”, I said. His face now completely baffled. Yes, I get it: I’m a legend. But time to put him out of his misery. I’ll explain a little bit about the illness, then he’ll get it. “My dad has it so… you know”.

“Wait.”, he said. “Diarrhoea isn’t hereditary”.

I spoke falsely, and the payment was a rush of redness to the face. The penny dropped. I am a fucking idiot.

All I wanted was a bit of sympathy. Some there-theres after a painful day of dealing with arthritis. Something I deal with every day. And I think I deal with it pretty bloody well, actually. Very pretty bloody well. And all I wanted, all I fucking wanted was just a little bit of recognition. A little admiration for dealing with something so well. I wanted someone to look at me and think “There goes Michael Legge. A man who does not give into pain but rises above it with dignity and courage. There goes a hero”.

But no. Because of ONE TINY LITTLE MISTAKE, one incorrect word, one misuse of our great nation’s tongue, I will forever be considered the man who shat himself for 20 years.

Fuck you, Thomas.





www.twitter.com/michaellegge

Sunday, 15 April 2018

Try a Little Tinderness.

I love my noise-cancelling headphones. I wear them every time I go out and it means I don’t have to hear any sound made by any other human (other than, at the moment, Lou Reed). I also wear a blindfold and a nose clip for similar reasons. When I leave the house, I just don’t want to ever have to acknowledge that people actually exist. They’re awful. They make horrible noises and they all look and smell like shit. Every single one of them. But, you know, even I have to admit that sometimes by blocking out all the senses (I also wear a full body sock and a tongue hat), I’m missing out on some beautiful real-life stories. Take Friday night for example…

There I was, sitting in a bar in South East London minding my own business when I heard the unmistakable noise of a human being. It was loud and shrill and ugly. I didn’t mean to eavesdrop on the man’s conversation, he insisted on it. He wasn’t even sat particularly near me, but I could hear every word he was saying because he was shouting over the sound of a pub stereo that wasn’t playing. This was a perfect time for me to put on my headphones, but the man caught my interest. I even wrote down a few things that he said because I never wanted to forget them. He was bellowing at a woman and it was the most bizarre seduction I had witnessed that entire day.

“I don’t want to pay pub prices anymore”, he honked at her. “You’re more than welcome to join me in my flat where I have many wines. Some of them actually good wines. But it is a long walk away and up a steep hill and that might be tough for someone like you (he means she’s a bit fat) but I like your company and I’m leaving now”.

I couldn’t hear what she said to him, but I happily imagined that it was very, very threatening. Of course, this is really very snobby of me. I’m probably taking everything he said out of context. Maybe he did just want to have a glass of wine? Maybe he’s just a bit gruff but really he’s the absolute salt of the earth? I’m sure he doesn’t really think that people who are a bit fat can’t walk up a hill. No. I’m sure I’ve got it all wrong. But then he got a bit louder.

“I’m going to the toilet and then I’ll leave”, he announced to absolutely everyone in the world. “If you could make your mind up by the time I get back then there’s no hassle. If you want to get an Uber, then you can do that. But I’m leaving. If you want to join me, I’m fine either way. I have wine and a nice bed. Up to you. I’m bursting”.

And with those sweet words of love, he departed for a slash.

That man will be alone forever, I thought. I mean, I know it’s hard to talk to someone you fancy but ordering them about isn’t going to help. And now she’s alone while he has his ultimatum piss, this is her chance to just get up and leave. Why spend another second with that dick. Just go.

But she stays. And he comes back.

He doesn’t leave though. He sits down and shouts a bit more instead. He lists the wines he has. It turns out that he might have five bottles of wine. Now that’s hot. Again, he asks if she’s coming or not? That is such a smooth move. Then he talks about his very high cholesterol. Bragging, yes, but anything to impress a lady, right? Anything to seduce her back to his love pad. Anything to capture the heart of his prey. He told her that he knew he had high cholesterol because of his HIV test.

Now, I might not be Velvet P. Lovewanger (I bloody am), but even I’m not sure that bringing up your high cholesterol and your HIV test on a date is a guaranteed fuck-ticket. To be fair, honesty is very refreshing when on a date. But I know more about him than I need to know and I’m not even going to get a choice of five wines and a terrible shag out of it.

He then just repeated “I’m going. Up to you” at her while putting on his coat. He must have said it 10 times. “I’m going. Up to you. I’m going. Up to you. I’m going. Up to you”. And then they left together.

That woman is going to have a terrible night. I felt depressed.

Which was unfair. Because I don’t really know what happened. I just picked up what was going on from the things he shouted and the way he shouted them. I didn’t hear a single thing she said. Maybe I’ve got it all out of context and everything is totally fine. Maybe they’re in his nice bed right now, laughing and drinking one of five wines and ripping each other’s clothes off in a fit of genuinely deep, romantic passion. Then why do I feel sad? Why do I feel sad for someone I don’t know? Why didn’t I just put my headphones on?

Then she came back into the bar, laughing down her mobile phone. “WHAT A WANKER!”, she said.

And she said it a lot to whoever was on the other end of the phone. “WHAT A WANKER!”.

20 minutes later, another woman turns up and joins her at her table. They laugh and drink and they both say “WHAT A WANKER!”

I’ve decided that this is my feel good story of the year. It certainly made me very happy. Sometimes you just have to leave the headphones off. Sometimes. Otherwise I’d have missed out on a bit of real life. A dirty, sleazy tale. A scary one. A sad one. But one with a very happy ending. What would Lou Reed know about any of that?





www.twitter.com/michaellegge

Wednesday, 7 February 2018

Signal Virtue.

I was in a bad mood yesterday, but British Telecom really helped cheer me up.

I’ve been in a bad mood for a while now (don’t know if you’ve noticed) and it hasn’t been made better by my worst enemy: ordinary members of the public. As you know, everyone in the UK voted for Brexit. They may not have physically ticked the Brexit box on National Cunt Confirmation Day, but they still fill the grey between eternal nothingness by playing music loudly out of shit speakers in public, attack everyone they agree with on social media and clip their fingernails while sitting next to you in Costa’s. If that isn’t separating yourself so that you can live by your own backward laws, then I’m a Dutchman (this is my pathetic attempt to get a non-UK passport).

My bad mood was brought on by a man playing noise out of his phone while he sat near me in a local café. I said nothing. I don’t say anything at all these days to people who do this because, sadly, making noise come out of your phone is now how we all live. It’s been normalised. People get their phone out in a café, bus or funeral parlour and don’t give the slightest shit that we can all hear their tinny screeches of football, Ed Sheeran or hilarious YouTube racists piercing our eardrums while we pretend that we’re cool with it and control the High Street shooting spree within. And then, in the café, bus, funeral parlour or cinema, someone sitting near you WHO HAS SAID NOTHING to the person making the noise, has the fucking brass balls to turn to you, A COMPLETE STRANGER WHO IS NOT MAKING ANY NOISE, and sort of tut a bit. Why the fuck are you tutting at me? You’re not trying to bond with me, are you? You’re not actually turning to me and saying, “Isn’t it terrible that that person is making unnecessary noise?” when that person who is making unnecessary noise is just a few feet away? They’re RIGHT FUCKING THERE. Not that telling them will do any good. You should have told them years ago. But you didn’t. You sat there in the café, bus, funeral parlour, cinema or children’s hospital ward and did nothing, just occasionally rolling your eyes at a fellow passenger to let them know that you didn’t vote Brexit like that other cunt playing Foo Fighters out of his fucking iPhone. That was your chance to stand up and be heard but you did nothing so now you’ll just have to live with it. Like Noel Gallagher.

Voting or non-voting on the Making Noise In Public debate is meaningless anyway now that British Telecom has pushed for a hard Brexit for everyone by actually having noise pollution as a happy, loving family moment in their recent television advert. A bastard gets on a bus and gets her phone out to see a Facetime call from another bastard. Even though she is on a crowded bus full of people that don’t want to hear about her bastard life, the bastard answers the call and we hear the bastard on the other end of the phone say “Hello. Here’s something exciting” THROUGH THE SPEAKER OF THE PHONE SO THE WHOLE BUS CAN HEAR. The “exciting” thing is that the bastard’s cunt child is making her first white supremacist’s march around their living room. British Telecom have cleverly made sure we have no hatred towards the bastard making all the shitty noise in public by making her a member of medical staff. Like Harold Shipman.

So, it’s normalised now. I’m angry that the man near me in the cafe is making all the noise through his phone even though he must know it’s annoying for anyone else. But then, since when has a Brexit voter ever cared? And the silent majority in the café say nothing too.

The only bit of joy I get in the café is hearing the man sigh when the video he is watching starts buffering. This happens a lot. He sighs. He watches 10 seconds of Hitler pouring baby oil on his own bum, the video buffers and he sighs again. It goes on like that for ages. Sigh, Hitler, sigh. Sigh, Hitler, sigh. Then his sighs get angrier. He can’t watch his beautiful führer oil up for Britain for more than 10 seconds without it stopping. I look at my phone. I can’t even get a signal. Turns out that the only way you can get a signal to watch any Nazi propaganda is to connect to the café’s wifi. The man complains to the café staff that the wifi isn’t working. They apologise and switch the wifi off and on again in the hope that will help the man get his white noise/white supremacy fix. It still doesn’t work for him and he sighs heavier than ever. He sits back down and sadly puts his phone away. So, I try to get on the café’s wifi too, but it doesn’t work for me either.

Of course, it doesn’t work. The café’s wifi is BT.

They can try to separate us, get us to hate one another with social ignorance and lying propaganda but thanks to good old British incompetence, they will never win. The fight continues.




www.twitter.com/michaellegge

Wednesday, 24 January 2018

Old Order.

I hung out with some 20 year olds in a bar yesterday. I didn’t mean to. They were just there and one of them said hello to me because he’s my friend’s son and we got talking. He’s in a band and I asked how they were doing. They’re sort of Joy Division-ish. I didn’t say that, he did. I told him I loved Joy Division and he said cool but it was clear he didn’t believe me because I’m not 20. I was probably 20 when I first liked them. I showed him that I had 2 of their albums on my phone and he was genuinely impressed/surprised. His friends, who were also in the band with him, couldn’t believe I’d seen Nirvana. They talked about David Bowie, The Smiths and Blondie. I mentioned Tune-Yards in a pathetic attempt to connect but they didn’t really know Tune-Yards. One of them said they didn’t like them, they were a bit too mainstream. I was delighted that there’s still a mainstream but ashamed that I liked a modern band that were “boring”. I mentioned a couple of other bands that were probably well into their 30’s but to me were really young and new. They had no interest in that sort of music, even though it was so similar to what they did like. I passed my phone and earphones to one of them and asked him to listen to Carter USM. He loved it. I told them I saw Iggy Pop last year. They were jealous. I told them about Black Box Recorder and they all seemed to think that they were right up their street. I’m 49 years old and I can still confidently sit in a bar and connect with a group of 20 year olds. I am cool.

I have a mobile phone. It made a noise and flashed up a message on its screen. I read the message aloud: “Time for your arthritis medicine”. The youngsters immediately started acting their age and saw me as I really am. The conversation stopped.

Drugs can unnerve a lot of people but you’d think a band could have handled it. Maybe I should have offered them some of the pills? It’s what all us real Joy Division fans are all doing.





Tuesday, 16 January 2018

Hello! Hooray!

My mum often asks me when I think I’ll be discovered. The thing is, I was discovered years ago.

10 years ago this very day, the internet was full of warmth, compliments and photographs of loved pets and unloved animals mocked up as happy dinners. Every time we looked on Facebook, we read our friends’ successes and I related to none of it. The internet just didn’t speak to me, so I decided to speak to it. In fact, I shouted at it. 10 years ago this very day, I invented online anger.

And now look at the state of the place.

Back then, no one had ever thought of calling a friend’s wedding cake a cunt but it’s all different now. Everyone is angry. Not just occasionally but all the time. Non-stop. I came up with the simple idea of not telling lies about how great my life and your life was and now everyone does it. But with none of the charm. I was the Pixies and then you lot became a huge, popular, white supremacist, women-hating, constantly threatening Nirvana who, if he were still alive, would probably coax the snowflake Kurt Cobain into killing himself live on Instagram or Snapchat or iPlayer. There are days when I almost regret calling David Walliams a corpse-fucker on Twitter. I was supposed to be the angry man on the Internet but who would even notice that now? I’ve become undiscovered.

I hide online now. Mainly on Twitter. Mainly on my @vitriolamusic Twitter account. It’s a place I share with Robin Ince (he hasn’t ever logged in once yet) and I go there to avoid the copycat angry people who took my beautiful idea too far. I talk to lots of people on there every day. While you are threatening to rape a slut or telling a woman who doesn’t like Black Mirror that they’re fat, I go on to my @vitriolamusic Twitter account and talk to kind, civil people about music.

For those who are unaware of music, it’s a popular art form based on sound and rhythm and without it our lives would be completely empty and without any meaning and it is very easy to steal. Some people actually pay for it but not many and the few that do are threatened with violence or called fat on the Internet. I much prefer risking the threats and paying for the music because I’ve loved it so much since I was a child and buying new music helps keep me almost up to date with whatever might be happening in the music (please forgive me for using this next word, I am very aware it’s awful) scene. And there lies the problem. The music scene has undiscovered me.

It happens every few years. The whole music scene changes and it becomes filled with bands that forget to sing about the things I like or play guitars the way I like them. Like the Internet, the scene isn’t for me just now but I’m in so deep with music that I can’t just turn my back on it. That’s why I buy the new one from the National or some other band that are clearly aimed at me and I get disappointed. It’s just not for me. The National are boring and their singer is a prick and the guitars are crap and they wear waistcoats like absolute cunts. And then, out of nowhere, my secret online friends and I will decide to pick an artist from the past and listen to their back catalogue and discuss it. That’s how, in 2018, I discovered the talents of Alice Cooper.

I am a fucking idiot. For years I bought Shed Seven albums and The Soft Parade singles and that fucking bullshit last album by Sleater-Kinney and all of The National’s fucking records and ALICE COOPER HAD BEEN THERE ALL ALONG. Every one of his albums (that I’ve heard so far) are incredible and  they have just been sitting there. For decades. Just sitting there statically and full of life. They have an actual heartbeat. Great tunes with fun in them. Pantomime, schlock-horror, loads of actual horns, drug-induced electro experimentations and rock that has decided that it has to live because YOU have to live. It is music that has invited you in and it only wants you to be happy. It’s music that actually cares about you.

Songs that are so good you won’t be able to stop whistling, humming and screaming them. Probably all at the same time. Alice Cooper has just sat there waiting and my reward for finding him is a new joyous belief in the power of music.

Think I’m going too far? Then please just listen to Elected, an uplifting Ringmaster of a song that revels in being the first thing to ever slag off Donald Trump, beating the Internet by over 40 years. After that, try a whole album in order. Some of you may never have done that before but, trust me, in this case it’s worth it. Try Billion Dollar Babies and Welcome To My Nightmare because those are albums that everyone (except me) knows and they are sunshine in a very dark, spooky and incredibly funny can. Then go to Flush The Fashion, very different to his classics and it’s my favourite Alice Cooper album. I always love the ones the artist can’t remember making.

I’m new to all this so I’m excited and want to share it with you like it’s a picture of my loved pet or my happy vegan dinner. If you’re not keen on Alice Cooper then all I can say is: you love him, you just don’t know it yet.


Alice Cooper’s incredible music and very witty lyrics (yep, he’s really funny) are pretty much the reasons why I love the Internet right now. Coming together and sharing that stuff hasn’t just made me happy, it’s given me a genuine thrill to find out everything I can about a new artist. Admittedly, one that’s been around since 1969. And huge thanks to Dan Mersh and EVERYONE who joins in with the listen-alongs at @vitriolamusic. You can go and find out about Alice Cooper’s stuff too because it’s just there. Gathering dust but waiting to be discovered. Just like all of us.




www.twitter.com/vitriolamusic
www.twitter.com/michaellegge